The Tools palette with the most important type-related tools in bold. For some bizarre reason the factory default for this preference is 20, which results in kerning or tracking amounts that are too coarse.įigure 1.5. Note that this also sets the increment for Tracking. For example, wouldn't you rather have an indent of 1 pica rather than 4.233 millimeters? For a discussion of pica and points see Chapter 6: Sweating the Small Stuff. Perhaps not the most logical of measurement systems, but they are the typographic standard. Horizontal and Vertical Unit of Measurement: Picas. When fine-tuning your document they can be useful in highlighting composition problems, like widows and orphans (Keeps Violationssee Chapter 5), bad word spacing (H&J Violationssee Chapter 8) and any unnecessary or over zealous kerning and/or tracking that may have been applied by someone else in your workgroup (Custom Tracking/Kerningsee Chapter 5).įigure 1.4. You might want to turn on the Highlight options depending on what stage of the design process you are in. Superscript and Subscript are discussed in Chapter 3: Character Reference.įigure 1.3. I recommend changing the Superscript and Subscript preferences to the percentages shown. There's no compelling reason to change any of these.įigure 1.2. The companion shortcut to the above is when you're using your Selection Tool, you double-click a text frame and your cursor changes to the Type Tool, inserted at the point where you double-clicked.įigure 1.1. When you release the key, you're back in the Type Tool. With the key held down, you can drag the frame to move it, or drag any of the frame handles to resize it. To work with text frames while the Type Tool is selected, hold down Command (Control) to switch to the Selection Tool. You move back and forth between these two tools a lot, so it's handy that there's a way to toggle between them. The Type Tool is used for formatting and editing the text inside those frames. The Selection Tool is used for (among other things) moving text frames, resizing text frames and threading text frames. ![]() No matter how proficient you are, with InDesign there are two tools you'll use most of the time: the Selection Tool and the Type Tool. We all work differently these are the settings I use. ![]() I'll deal with each preference specifically in the relevant chapter. The key words here are "recommended" and "preferences." There are several preferences relating to type for now, I just want to point out where they are and suggest a couple of changes to the factory default settings. One more thing: Should you want to return to the "factory defaults," hold down Shift+Option+Command+Control (Shift+Ctrl+Alt) as you start InDesign, then click Yes when asked if you want to delete your preference files. So, for example, if you're tired of getting Times New Roman 12 point every time you type into an empty text frame, just make sure you have no document open, choose Type>Font and change the font to something else, which then becomes your default font. And this doesn't apply only to settings in the Preferences dialog boxyou can set your own defaults for just about anything. If you want to change the preferences for every document you create from this point on make sure you have no InDesign document open, that way your changes become application preferences. When you make a change to InDesign's Preferences, you are affecting only the document you are working on. What follows is my personal take on the best way of doing things. ![]() Sometimes, it's nothing more than a matter of preference other times, new features have been added improving on old featuresso that veteran users aren't alienated, the old menu options remain. As with any of the big-hitter design applications these days, there is usually more than one way to do something.
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